Harsh Truth

I saw this post on Facebook a few weeks ago.

I have bad news for you. Little kids aren’t “rough.” They’re just honest.

Adults also want to look in all the pockets and touch all the things as well, but they don’t do it. They’re too “kind.” So they just think, “Well, I’m sure if I looked in that pocket or touched that thing, I’d know what was going on.”

You vanish a coin, and the kid thinks, Did he put it in his pocket? And the kid says, “I think you put it in your pocket. Let me see in your pocket!”

You vanish a coin, and the adult thinks, Did he put it in his pocket? He probably did. Yes, of course he must have. And they never actually say anything.

Magicians, because they’re delusional. think the kid is being difficult, but that they fooled the adult. They didn’t. The adult is just being nice or doesn’t give enough of a shit to bother asking. They think they know the answer anyway. They don’t want to embarrass you.

When I took nominations for the The Worst All Time magic trick, I heard back from the creator of one of the tricks that got nominated. He told me that the issue that the person had with his trick wasn’t a real issue. He told me that he had performed the trick over 200 times and no one had ever mentioned it.

This is like the people I complained about in the No Questions post. When you ask these people, “Don’t people assume it’s a gimmicked deck?” Or, “Don’t people want to examine the book?” They say, “No one ever questions the deck.” “No one ever questions the book.”

This logic: “If no one openly questions something… they must not have any issue with it!”

Is the same as this logic: “I encountered 150 people today. None of them called me ugly. Therefore… I must be really attractive!”

The most productive way to deal with an audience’s doubts or questions is not to wait until they bring them up. Instead, consider the Easy Answers and think about which ones affect the tricks you’re showing them. Then do whatever you can to address those. These are the “Easy Answers” because all audiences have them at their disposal. If you don’t address the ones that apply to your trick, your trick is incomplete.

Don’t delude yourself.

Think of the facebook post that started off this post. The kids are “rough” because they want to check things out.

Kids are just really dumb adults… you don’t think adults want to check things out too?

A little kid waits outside an elevator door. The doors open and he sees this…

“Wow, you’re a fat one!” the kid says.

Why? Because the kid is a dolt who says whatever comes to his mind.

Not one in 1000 adults would say that when the elevator doors open. But a good percentage of them are thinking it.

To perform the strongest magic, you’re going to need to do some actual mindreading and not just wait for some uncouth imbecile to call you out on something.

Mailbag: Black Friday New Releases

I’m interested to hear what your thoughts were on the Black Friday new releases this year. I don’t mean your thoughts on the deals, but on the tricks themselves. Were there any that you picked up? I have a tendency to get seduced by the sales and not think clearly and end up with a bunch of tricks I never use lol. —CT

As of yet, I haven’t picked up any of the new Black Friday releases from Penguin or Vanishing Inc. Like you, I have a tendency to ignore my critical thinking and just buy stuff because there is some deal or rewards during Black Friday. This year I decided to wait and see.

But here, briefly, were my initial thoughts on the releases:

From Penguin

Razor Card to Wallet by Josh Burch

Card to Wallet isn’t really a premise that appeals to me that much. For that reason, I didn’t even really give this much consideration.

Cheater Chips by Craig Petty

From my understanding, these are essentially marked poker chips. I like the marking system used. But I can’t get over the fact that poker chips are already marked. They’re different colors. That’s almost literally the whole point of poker chips. While I think I could maybe justify these presentationally, that’s not something I really want to do. So this isn’t on my to-buy list.

The Vanishing Card Case by Nicholas Lawrence

Vanishes are so impossible that they generate a lot of heat on things. And unless a vanish is profoundly clean, I feel people tend to dismiss it. In this case you have a deck of cards that is displayed a little death-grip-y which goes into an object (a card clip) that is a total anomaly for people outside of magic. While I think the vanish looks nice, I do think there’s a good chance people will just assume there was something funny about the deck and the card clip. So it’s not for me.

Heroes and Villains by Craig Petty

This is a marked deck of cards with Heroes and their corresponding Villains. There is also a book test element to the information on the front of the card. I’ll end getting this one. I’m not sure what I’ll do with it yet. I’m not a big fan of doing lots of different tricks with these special decks. I think that is more likely to suggest they’re special magic cards.

If you say, “I saw these at the dollar store last week and I had an idea for something we might be able to try with them,” that feels “real” to me.

Whereas, “I’m going to do a full act with this ordinary deck of Heroes and Villains cards” feels like, “Here’s my trick deck of Heroes and Villains cards.”

But I don’t doubt I’ll find one or two ideas that really work well with these.

Missing Finger by Mario Lopez

I think this looks pretty great and would totally shock people if done casually and impromptu.

My issue is just that I’m probably not going to carry around a gimmick for something that should feel like a spontaneous moment of visual magic. So I don’t see myself getting this.

Easy Writer by Franz

I love the concept of secret writing devices and the number of different effects you can do with one.

That being said, I’ve never been 100% happy with one either and so I try out each one that gets released. I’ll be picking this one up too.

Vanishing Inc.

Notion of Motion by Angelo Carbone

This is Angelo’s fabled “any freely named card” version of the rising card. I will likely get this. Although here are some things to think of…

I got an email last week that asked:

I just saw the trailer for Carbone’s Notion of Motion. It looks like such a powerful effect, but to my taste way too “on the nose” to be as magically beautiful as it could be. 

Do you have any thoughts on a “casual magic wrap around” for it? —BK

The email makes a good point. As magicians there is a depth to this trick, because we approach it with the understanding of how the Rising Card traditionally works. So there’s that higher level of interest. But for normal, non-magicians I don’t know that it has much more resonance than any other version of the Rising Card.

In fact, what if we use the Green Grass Test and imagine a world where this version of the Rising Card had been around for 100 years and then somebody came out with a “new” version. The new version could be done with a borrowed, shuffled deck, and the card could rise when the magician wasn’t even holding the pack. (Which is what’s possible with many standard versions of the rising card.) Would we not be thinking of that as the exciting new advancement in method?

I don’t know. It’s just a thought experiment. I’ll definitely pick this up and let you know if I come up with anything particularly interesting for it presentationally.

Poker Packet Trick by William Tyrell

I think this looks really good, but if I do something super visual with cards that can’t be examined, I don’t know how to get people to not think, “Let me see those cards.”

So for that reason, I won’t be picking this up.

I know other performers feel they can get away with this stuff, but I can’t.

Mortenn’s Jumbo Card

This looks pretty clean. But ultimately, the effect is a card prediction. I have more of those than I need.

The Particle System by Joshua Jay

I’ve been waiting for this to come out for a long time. I don’t know if I’ll adopt his “system.” But I’m a fan of Josh’s and I’m always curious to study his thinking, so I’ll be interested to see what I might be able to take from this to possibly incorporate into my own work.

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So yeah, those were my initial thoughts while going through the Black Friday new releases. It’s certainly possible I won’t like something I decided to get or that I’ll loop back around and end up picking up something I originally dismissed. We’ll see in time.

Until December...

This is the final post of November. Regular posting will resume, Monday, December 2nd and the next newsletter will be sent to supporters on Sunday, December 1st.

So it’s just a quick break before we pick back up again next week.

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A couple more Spex Mix references that have been sent to me since last Thursday’s post:

From PM:

You can add Ben Earl’s Shuffled Ose Control from Less is More to Joe McKay’s list:

Hand the spectator the deck. You’re going to walk them through the Jay Ose false cut, but after the put the top third on the table, they shuffle. Then they cut another group on the table, and shuffle the rest. These go on the table and the deck is assembled, keeping a top stock of however many cards the spectator cut the first time.

From M.K. (and others)

So Sato has a thing called "Mass Destruction Stacking" in his book Secrets of So Sato: https://www.conjuringarchive.com/list/book/930?highlight=45446

One packet is never disturbed and becomes the bottom of the deck.

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Carefree Philosophy in Action.

New Wave is a new version of B’wave where the card the spectator is thinking of is the one turned over in a packet of four in your wallet. The other cards are shown to be blank and the chosen card has a different back.

The improvement here is that it can be done with a value freely named by the spectator.

Previously, I would ask myself things like, “Is this a good trick?” “Will it fool people?” “Can I come up with a good presentation for it?”

Now I ask myself, “Am I going to carry around an extra fat fucking wallet just for the possibility I might want to show someone this trick?”

The answer is no.

The trick may be good. It might make sense in a walkaround magic situation where you’re carrying props for a specific “set” of magic. But for the amateur magician, I don’t think it’s great.

It’s not a bad trick (that I can tell). It’s just an anti-Carefree trick. You’re so pocket-committed to the trick that it would be pretty much the one trick you would be showing people whenever you were carrying it.

Not only that, but it’s a trick you can get 80% close to with well-structured equivoque and other linguistic deceptions. Enough so that a laymen would unlikely be able to tell the difference.

I know this isn’t a consideration for everyone, but I just wanted to mention this as an example of how this philosophy is affecting what I do or don’t choose to invest my time and money in.

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This isn’t magic related, but it was a fun, social thing I came up with along with my friend Ruby last week.

She was going through her wallet and finding a bunch of gift cards that she hadn’t used despite having them for years. She was mentioning how it made her feel bad because these were gifts and she was appreciative of them, but she never really thought to use them. I told her I had the same situation. I had gift cards for restaurants and Barnes & Noble and Target and stuff like that all piled up at home and I never remembered to bring them with me, even when I would shop at those places.

In a way, this is a good sign. It means I’m not so desperate for money that a gift card is making some big impact on my life when I get it.

But, at the same time, I shouldn’t let them go to waste. Gift cards might not be the most thoughtful gift in existence, but I’m still pretty appreciative of one when I get it.

Then I had an idea. Ruby and I would get our friends together for an event: A Gift-Card Crawl.

We gathered a few friends together, who also had their own gift cards to use and we met up in the morning and planned out our day. We went from place to place: eating, shopping, going to the movies. It was an all-day thing. It was fun just to be hanging out with friends all day, but also to have this “mission” of going through our cards.

When we used a card we would take a picture of the person whose gift card it was, posing with what they bought, and they’d send it to the person to who gave them the card. “Just bought a burger and fries from Five Guys with the gift card you gave me last Christmas. It was SO good 😋 Love you!” That’s part of the gift-card crawl. Saying thank you. We heard back from a number of people who seemed touched they were remembered.

Maybe it sounds stupid, but it was fun. If you have a group of friends who like getting out and doing stuff, then a Gift-Card Crawl might just be the sort of goofball shit your friends would like to. And you can stop at a bar between stops if you feel the need to amp it up.

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Okay, boys and girls. See you in December!

Easy Stooging

[Note: Because of a scheduling issue earlier this month, this is not the final post of the month. The final post for November will come out next week.]

Here’s a simple way to incorporate a friend as a stooge. And it works in a kind of interesting way.

First, it doesn’t require your friend to learn anything. Often I have people who would like to be “in” on the trick in some way, but they’re not the sort of person who is going to learn even a simple two-person code or something like that. They just don’t have that level of commitment. But if you say, “Hey, do you want to help me fool Ted?” They would 100% be interested in that. This sort of stooging works well for them.

The second interesting thing about this type of stooging is that the person helping you out will still be fooled. And they won’t just be a little fooled (as in some tricks that use a stooge), but they will be almost as fooled as the person who isn’t in on it. They’ll just be fooled in a different way.

Here’s how it works.

Let’s say you’re meeting up with Ted and Arlene for dinner. At some point, before Ted gets there or when he’s in the bathroom, you say to Arlene, “Hey, do you want to help me fool Ted?”

You then indicate to Arlene that at some point you’re going to show Ted a trick, and all she has to do is pretend that she doesn’t see what’s happening.

Later on, you perform a trick.

The trick should have these two qualities:

1. It should be primarily a trick for the eyes. Something levitates. Something changes. Something disappears.

2. There should be some sort of Imp that is applied to Ted and not Arlene.

So you claim to do something to Ted that’s going to change his perception in some way. You put him in a semi-hypnotic trance. You have him inhale a mild-hallucinogen. You have him listen to a sound at a vibration that stimulates the suggestibility portion of his brain. Or whatever your story is.

After that, you do something. Vanish a coin, or whatever.

“Now Ted, if this works, you shouldn’t be able to see the coin. Can you see it?”

He can’t, of course, because it’s not there.

“But Arlene, you still see the coin, yes?”

“Of course. Wait… you can’t see it, Ted?”

And so on.

Now, the truth is, Arlene is still seeing a coin vanish. So she is still as fooled as you would expect. But now she gets to be in on the deception of the premise.

This allows her to have the fun of fooling someone without having to really put in any effort. (Putting in effort = the least fun part of magic to laypeople).

Spex Mix: 7 Simple Ways to Preserve/Create a Stack in a Spectator Shuffled Deck

Last year, I wrote a post on the strength of allowing a spectator to mix the deck themselves as opposed to using a false shuffle. I believe false shuffles are somewhat futile. I don’t believe you can do both of these things at once:

1. False shuffle the deck.

2. Have the spectator completely convinced it’s real.

You can read that post for my logic as to why.

(And you can read other posts in the Spex Mix series by CTRL+F and looking for Spex)

So I collect ways to allow the spectator to do some or all of the mixing.

Joe Mckay has sent along this write-up of seven lesser-known ways to allow the spectator to do the mixing in a trick.

My favorite of these is #4. I learned this from Paul Harris’ trick Cell Mates (I’m not sure if it was credited this way). It’s a great way to allow the spectator to shuffle seemingly the full deck while keeping up to 13 or so cards in stack.

Thanks to Joe for compiling these. The rest of this post is in his words…

7 SIMPLE WAYS TO PRESERVE/CREATE A STACK IN A SPECTATOR SHUFFLED DECK

1) This is from Andrew Galloway.

If you ever need a trick that uses a 4-of-a-kind that is secretly set up - an interesting strategy is to stack a deck up with 4 ACES together, 4 KINGS together, 4 QUEENS together, 4 JACKS together and 4 TENS together.

And have these 4-of-a-kinds spread through the deck - each group separated by about 6 cards.

The spectator can then overhand shuffle the cards - and you can look through the deck (to apparently remove the Joker) and secretly cut a 4-of-a-kind to the top of the deck.

2) A nice idea (Juan Tamariz credits it to Alex Elmsley) to set up for Gilbreath effects is the following. Or for a half-deck version of Juan Tamariz's impossible card location called NEITHER BLIND NOR STUPID. In this case we are using a self-working method to create a stack from a spectator shuffled deck:

1. Have a deck shuffled - or use a borrowed shuffled deck.

2. Run through the cards and say that you need to remove some cards at random.

3. As you go through the cards, you throw out all the red and black cards which interrupt the red/black pattern running through the deck. So - you are basically throwing out the cards which are not already in red/black order.

4. You will be left with a pile of cards - face up on the table. They will be in a mixed-up order and this helps make everything seem fair.

5. The cards that are left in your hands are now (secretly) in red/black/red/black/red etc order.

3) This is a Larry Becker idea.

Have a 4-of-a-kind on top of the deck - and then hand out small groups of cards for everyone to shuffle.

You need about 8 spectators for this.

The first one gets the 4-of-a-kind, the next one gets 5-6 cards and so on. You then regather the cards - with the first spectator putting their packet on top of the deck.

Your stack is back on top of the deck that has been freely shuffled by a bunch of people.

4) The Ron Edwards Hold Out.

Have a deck of cards (face-up in your hands). Your stack of cards is reversed on the bottom of the deck. It could be a 4-of-a-kind, or something larger.

Spread through the face-up cards and take about 20 cards and hand them to a spectator to shuffle. You then place these shuffled cards - reversed - at the bottom of the deck.

You then spread through the rest of the face-up cards and hand them to a different spectator to shuffle. You just keep spreading until you come to the first face-down card (which will be the first card of your secret stack).

You take back this shuffled packet and place it face-down at the bottom of the deck.

Your secret stack of cards is now on top of the face-down deck.

5) John Guastaferro has a trick called Lost and Found that involves glimpsing a chosen card from a shuffled deck. You then run through the face up deck looking for the chosen card. You upjog the 4 cards you want to stack and the chosen card - and then use the answers to questions you ask the spectator to winnow down the cards to the chosen card - whilst secretly placing the 4 cards you want to stack on top of the deck in preparation for the next trick.

6) Brother John on Culling is an interesting self-working stack/cull from a shuffled deck. It was published by Josh Jay in the Feb 2007 issue of MAGIC magazine.

7) Steve Mayhew has a sneaky way to stack 4-of-a-kind that is easy to do. It is called Old Lazy Fat Guy Cull. It can be found in his book What Women Want (written by John Lovick).

Return of the Juxe

This is a post for 1% of you.

The Juxe posts were dedicated to music recommendations that I used to make on this site. I then moved them to another site, but eventually forgot all about that site. (At the time, I was also writing about music professionally for another outlet. So taking more time to write about it for a teeny-tiny audience of magicians whose music taste slightly overlapped with mine was never a huge priority.)

The new Juxe Music Club will not be on this site or any other site. It’s going to be via email. Once every three months you’ll get an email with a playlist of songs from the previous three months.

Here is what I wrote about why I would be posting music on this site many years ago:

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Music is a gigantic part of my life. I buy a couple new albums each week (and I sample probably 15-20 more in that time). And I try and see as many live shows as I can. 

I was a consummate mixtape maker back in the day, and I like sharing music. I don’t love writing about it, so I probably won't say much beyond "I like this." But that's okay. I'm not trying to impress you with my music knowledge, just share some stuff that I'm into. The odds that you will be into it too are... well... probably not great. I don't intentionally seek out obscure stuff, but my taste is rarely in line with what's popular.

I'm a big fan of indie pop, indie rock, garage rock, power pop, surf rock, psychedelia, pop punk, and a bit of hip-hop and folk. I'll be posting newer music, mostly, but many of the bands I'm into are heavily influenced by the music of the 60s. I'm a big fan of catchy music with high energy. I like music that is sometimes wild and off the rails. And at the other end of the spectrum, I'm a sucker for intricate, beautiful harmonies and complicated arrangements.

And it actually does have something to do with magic because my ideal style of performing is most similar to that of sharing music back in the day. I am perhaps of the last generation where you would invite someone over to listen to a new album. Does that still happen? Do people go over to someone's house and sit around and listen to a new record? Probably not too much. That's too bad because it's such a pleasant type of interaction.

And it's this dynamic that I want to emulate when I perform magic. That is, it's not me "performing" for you with my awesome talent. It's me saying, "Hey, come over. I have this thing I want to share with you," and then us experiencing it together.

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Okay, Andy. Whatever. How do I sign up? I’ll probably just delete the emails. I have all the music I need with my Phil Collins collection. But I’ll sign up anyway. This might be some secret ploy where you say this is about sharing music, but you end up sending people some cool magic content via the emails too. You’re tricky like that. So what do I do? Just send you an email or something?

No. I promise you. You won’t miss out on anything magic-related.

And no, unfortunately, you can’t just send me an email.

We’re going back to the Columbia House days of my youth. Where they would send you a bunch of tapes or CDs for a penny.

To get on the e-mail list for the Juxe Music Club you have to complete the form below and mail me a penny.

We don’t have pennies in my country.

You can tape a printout of a penny, or a coin from your country, or anything else flat and round.

The point isn’t the penny. The point is to make you buy in a little on your end. To print out the form, tape something to it, find an envelope, address it, put a stamp on it, and drop it in the mail.

I’ll be more inclined to keep up with the Juxe Music Club if I know people cared enough to go to some small effort to sign up.

Make sense?

Well, I’m going to be making cents too. I’m guessing around 15 cents if my estimate of how many people will sign up and send me a penny is accurate. Money, money, money!!!

If you’re interested, complete and send in this form.

The first email will be sent at the beginning of 2025, with some of my favorite songs of 2024. If you want to get in on that email, send the form off before the end of the year. Otherwise, there’s no deadline. If this post is still up years from now, it means I’m still doing the music club and you still sign up the same way.

Chop Box

After the cigar version of the Chop gimmick mentioned last week, I got a number of emails asking me what I use Chop for. So today I’m going to share my most used trick that I do with Chop. You could rejigger the handling for the cigar version. Or use the Sharpie as I describe below.

The following description comes from the first issue of the supporter newsletter, Love Letters.

Okay, this is likely going to be my main usage for this gimmick going forward. Just keeping it in my bag and having the ability to do many different types of effects that would normally require a prediction box. I was surprised this idea wasn’t on included on the download, because in my opinion it’s one of the best ways to use this gimmick.

Here’s a simple example…

Before leaving to get dinner with my friend Elisabeth, I tell her I want to try something. “I had a weird dream last night. I want to test something...”

I tell her to go grab a mug from the kitchen. She comes back, and I drop a crumpled up piece of paper into the mug. I tell her to put a book on top of the mug and go place it somewhere in her house.

At dinner I say, “Point to anyone here.”

She points to an older woman near the corner with her husband.

“If you had to guess her name, what do you think it would be?” I ask.

“Hmm.... Let’s go with Agnes Goodhead.”

“Haha, perfect,” I say.

Later when we get back to her place I say, “Oh, can you go get that mug that you set aside earlier?”

She brings it back to me.

“Last night I had a dream that we went to that restaurant and we met a woman who looked just like the woman you picked out. Except in my dream, we talked for a little bit with her.”

I pull out a Sharpie from my pocket.

“In the car before I came in here, I wrote down a detail from that dream on a piece of paper.” I mime writing something with the Sharpie. “I want to show you what that was.”

I grab the bottom of the mug and have her remove the book from on top. I show her the wadded up paper inside, tip it into my hand and give it to her.

She opens it up and on the paper it says, “Agnes Goodhead.”

Okay, so the method here is pretty clear. You drop a dummy paper that has been prepped into the mug. Then, at some point in the night, you get some information that you couldn’t have possibly known at the time you gave her the “prediction” earlier in the day. Then, at any point later when you’re alone (in the bathroom or whatever), you write it down on a duplicate piece of paper and crumple it up.

When the time comes, have your friend bring you the whole set-up—which they won’t really know what it is quite yet—have them remove the book from the top as you hold the mug from the bottom. Show them the paper inside. “Dump it” into your hand (shuttle pass for your finger-palmed dupe) and give it to them to open. Step away from them while they do this (as if you’re just being fair). Drop the pen in the mug or just steal out the duplicate however you want.

Is this the “ultimate” prediction box? Maybe not. But being able to build the “box” from items they have on hand, and the fact that you only have to carry this gimmicked Sharpie with you makes it so damn practical.

You can use it to predict anything you want. What someone will order at dinner. The score of a basketball game you go to. How many people with glasses you’ll see while you’re out that night. Whatever you want.

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Over two years later, I still use this a lot. I keep Chop in my car or computer bag and use it spontaneously when a prediction box type routine comes to mind. As I said, it’s not the “ultimate” prediction box. But it fits in with my Carefree Philosophy and I’ve never found it to be lacking in its deceptiveness.